SaViTar Ballad

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SaViTar Ballad
from Radio Modern;/;Night Live - KING B & Bachinsky by KING B

00:00 / 05:58
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about
The task was to build a tool especially created to demonstrate the dimension of harmony, melody, various levels of space, etc.
(Shows) This is the kind of tool I came up with. I, as a person related to the fine arts - an artist with exhibitions on encaustic. In creating the form, the first thing that occurred to me was that I had to use the shape of the guitar, bearing in mind, that it was convenient to play with a bow - here we see (shows) slices remotely resembling a violin. Part of the name is a violin - VI - viola. In the word SaViTar, as I called this instrument - it contains three instruments - Sa - Sarod (Indian instrument, fretless vibe, specific Indian system) this also does not have a guitar system, Vi - viola and Tar - guitar or what is left from it. So it turned out to SAVITAR - I came up with a new tool. Paradox turned out that's much later, when the Internet had already appeared, I went to Google and found that there is this word in Sanskrit - and it denotes the mystical energy of the Sun. It turned out that I came up with a word that existed from the beginning and that it had a similar meaning. Tool - It's masculine - insidious. I touch it cautiously, because it contains this state. Each concert is a comprehension of the secrets of this instrument. I was lucky enough to create it, come up with a form, do calculations, but not the most subtle ones - it's already the work of a violin maker. There was one more master, who took up the manufacture, determined the sorts of wood and eventually created a new tool. First, with the goal - to go beyond the possibilities of the guitar, in the first place. Secondly - to vocalize all processes, because fretlessness gives us - boundlessness. Thirdly - to create a new technology for playing on this instrument. The initial idea of ;;a tool is the ability to play with a bow
credits
from Radio Modern;/;Night Live - KING B & Bachinsky, released February 12, 1997
tags
tags: blues apocalyptic multi-directional New York
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