Ray Bradbury. Free Dirt

Даниил Серебряный
                Ray Bradbury
                http://blogs.myspace.com/mysteryal

                Free Dirt
                1996

     The cemetery was in the center of the city. On four sides it was bounded by
gliding  streetcars  on  glistening  blue tracks and cars with exhaust fumes and
sound.  But,  once  inside the wall, the world was lost. For half a mile in four
directions  the cemetery raised midnight trees and headstones that grew from the
earth, like pale mushrooms, moist and cold. A gravel path led back into darkness
and within the gate stood a Gothic Victorian house with six gables and a cupola.
The  front-porch  light showed an old man there alone, not smoking, not reading,
not  moving,  silent. If you took a deep breath he smelled of the sea, of urine,
of  papyrus, of kindling, of ivory, and of teak. His false teeth moved his mouth
automatically when it wanted to talk. His tiny yellow seed eyes twitched and his
poke-hole  nostrils  thinned  as  a stranger crunched up the gravel path and set
foot on the porch step.
     "Good evening!" said the stranger, a young man, perhaps twenty.
     The old man nodded, but his hands lay quietly on his knees "I saw that sign
out front," the stranger went on. "FREE DIRT, it said."
     The old man almost nodded.
     The stranger tried a smile. "Crazy, but that sign caught my eye.
     There was a glass fan over the front door. A light shone through this glass
fan, colored blue, red, yellow, and touched the old man's face. It seemed not to
bother him.
     "I wondered, free dirt? Never struck me you'd have much left over. When you
dig  a  hole  and  put  the coffin in and refill the hole, you haven't much dirt
left, _have_ you? I should think..."
     The  old  man leaned forward. It was so unexpected that the stranger pulled
his foot off the bottom step.
     "You _want_ some?" said the old man.
     "Why, no, no, I was just curious. Signs like that _make_ you curious."
     "Set down," said the old man.
     "Thanks." The young man sat uneasily on the steps. "You know how it is, you
walk around and never think how it is to _own_ a graveyard."
     "And?" said the old man.
     "I mean, like how much _time_ it takes to dig graves."
     The old man leaned back in his chair. "On a cool day:
     two  hours. Hot day, four. Very hot day, six. Very cold day, not cold so it
freezes,  but  _real_  cold, a man can dig a grave in one hour so he can head in
for  hot chocolate, brandy _in_ the chocolate. Then again, you get a good man on
a  hot day, he's no better than a bad man in the cold. Might take eight hours to
open up, but here's easy-digging soil here. All loam, no rocks."
     "I'm curious about winter."
     "In  blizzards  we  got  a  icebox mausoleum to stash the dead, undelivered
mail, until spring and a whole _month_ of shovels and spades."
     "Seeding and planting time, eh?" The stranger laughed.
     _"You_ might say that."
     "Don't you dig in winter _anyhow?_ For _special_ funerals? _Special_ dead?"
     "Some  yards  got  a  hose-shovel  contraption.  Pump hot water through the
blade;  shape  a  grave  quick,  like  placer  mining,  even  with the ground an
ice-pond. We don't cotton to that. Use picks and shovels."
     The young man hesitated. "Does it _bother_ you?"
     "You mean, I get scared ever?"
     "Well . . . yes."
     The  old  man at last took out and stuffed his pipe with tobacco, tamped it
with a callused thumb, lit it, let out a small stream of smoke.
     "No," he said at last.
     The  young  man's  shoulders  sank.  "Disappointed?"  said  the old man. "I
thought maybe once .
     "Oh, when you're young, maybe. One time ..."
     "Then  there  _was_  a  time!" The young man shifted up a step. The old man
glanced  at  him  sharply,  then  resumed  smoking. "One time." He stared at the
marbled  hills and the dark trees. "My grandpa owned this yard. I was born here.
A gravedigger's son learns to _ignore_ things."
     The old man took a number of deep puffs and said:
     "I was just eighteen, folks off on vacation, me left to tend things, alone,
mow  the  lawn,  dig  holes and such. Alone, four graves to dig in October and a
cold  came  hard off the lake, frost on the graves, tombstones like snow, ground
froze solid.
     "One  night  I  walked  out.  No  moon.  Hard grass underfoot, could see my
breath, hands in my pockets, walking, listening."
     The old man exhaled frail ghosts from his thin nostrils. "Then I heard this
sound,  deep  under. I froze. It was a voice, screaming. Someone woke up buried,
heard  me  walk by, cried out. I just _stood._ They screamed and screamed. Earth
banged. On a cold night, ground's like porcelain, rings, you _see?_
     "Well-"  The  old man shut his eyes to remember. "I stood like the wind off
the  lake  stopped my blood. A joke? I searched around and thought, Imagination!
No,  it  was  underfoot,  sharp,  clear.  A  _woman's_  voice.  I _knew_ all the
gravestones."  The  old man's eyelids trembled. "Could recite them alphabetical,
year,  month,  day.  Name  _any_ year, and I'll tell. How about 1899? Jake Smith
departed.  And  1923?  Betty  Dallman lost. And 1933? P. H. Moran! Name a month.
August?  August  last year, buried Henrietta Wells. August 1918? Grandma Hanlon,
whole  _family!  Influenza!_  Name  a  day,  August fourth? Smith, Burke, Shelby
carried  off.  Williamson? He's on that hill, pink marble. Douglas? By the creek
..."
     "The _story,"_ the young man urged.
     "Eh?"
     "The _story_ you were telling."
     "Oh,  the  voice  below?  Well,  I  knew  all the stones. Standing there, I
guessed  that  voice  out  of  the  ground  was  Henrietta  Fremwell, fine girl,
twenty-four years, played piano at the Elite Theatre. Tall, graceful, blond. How
did  I  know  her voice? I stood where there was only men's graves. Hers was the
only  woman's.  I  ran  to  put  my  ear on her stone. Yes! Her voice, way down,
screaming!
     "'Miss Fremwell!' I shouted.
     "'Miss Fremwell,' I yelled again.
     "Deep  down  I  heard her, only weeping now. Maybe she heard me, maybe not.
She  just  cried. I ran downhill so fast I tripped and split my head on a stone,
got up, screamed myself! Got to the tool shed, all blood, dragged out the tools,
and just stood there in the moonlight with one shovel. The ground was ice solid,
solid.  I  fell  back against a tree. It would take three minutes to get back to
her  grave, and eight hours of cold night to dig to her box. The ground was like
glass.  A coffin is a coffin; only so much space for air. Henrietta Fremwell had
been buried two days before the freeze, been asleep all that time, using up air,
and  it  rained  just  before the cold spell and the earth over her, soaked with
rainwater  now, froze. I'd have to dig maybe eight hours. And the way she cried,
there wasn't another hour of air left."
     The  old  man's  pipe had gone out. He rocked in his chair, back and forth,
back and forth, silently.
     "But," said the young man, "what did you _do?"_
     "Nothing," said the old man.
     "Nothing!?"
     "Nothing  I  _could_  do.  That ground was solid. Six men couldn't have dug
that  grave. No hot water near. And she might've been screaming _hours_ before I
heard, so . .
     "You did-nothing?"
     _"Something_  Put  the shovel and pick back in the tool shed, locked it and
went  back to the house and built a fire and drank some hot chocolate, shivering
and shivering. Would you have done _different?"_
     "I-"
     "Would you have dug for eight hours in hard ice rock so's to reach her when
she  was  truly  dead  of  exhaustion, cold, smothered, and have to bury her all
_over_ again? Then call her folks and _tell them?"_
       The  young  man was silent. On the porch, the mosquitoes hummed about the
naked light bulb.
     "I see," said the young man.
     The  old  man sucked his pipe. "I think I cried all night because there was
nothing  I  could  do." He opened his eyes and stared about, surprised, as if he
had been listening to someone else.
     "That's quite a story," said the young man.
     "No," said the old man, "God's truth. Want to hear more? See that big stone
with  the ugly angel? That was Adam Crispin's. Relatives fought, got a writ from
a  judge, dug him up hoping for poison. Found nothing. Put him back, but by that
time  the  dirt from his grave mixed with other dirts. We shoveled in stuff from
all  around. Next plot, the angel with broken wings? Mary-Lou Phipps. Dug her up
to  lug  her  off  to Elgin, Illinois. More relatives. Where she'd been, the pit
stayed   open,   oh,   three   weeks.  No  funerals.  Meanwhile,  her  dirt  got
cross-shoveled  with  others.  Six  stones over, one stone north, that was Henry
Douglas  Jones.  Became famous sixty years after no one paid attention. Now he's
planted  under  the  Civil War monument. _His_ grave lay wide two months, nobody
wanted  to utilize the hole of a Southerner, all of us leaning North with Grant.
So  _his_  dirt  got scattered. That give you some notion of what that FREE DIRT
sign means?"
     The  young  man  eyed  the cemetery landscape. "Well," he said, "where _is_
that dirt you're handing out?"
     The  old man pointed with his pipe and the stranger looked and indeed, by a
nearby  wall  was a sizable hillock some ten feet long by about three feet high,
loam and grass tufts of many shades of tan, brown, and burnt umber.
     "Go look," said the old man.
     The young man walked slowly over to stand by the mound.
     "Kick it," said the old man. "See if it's real."
     The young man kicked and his face paled.
     "Did you hear that?" he said.
     "What?" said the old man, looking somewhere else.
     The stranger listened and shook his head. "Nothing."
     "Well,  now,"  said the old man, knocking out the ashes from his pipe. "How
much free dirt you need?"
     "I hadn't thought."
     "Yes,  you  have,"  said  the  old  man,  "or you wouldn't have driven your
lightweight delivery truck up by the cemetery gate. I got cat's ears. Heard your
motor just when you stopped. How much?"
     "Oh,"  said  the young man uneasily. "My backyard's eighty feet by forty. I
could use a good inch of topsoil. So ...?"
     "I'd  say," said the old man, "half of that mound there. Hell, take it all.
Nobody wants it."
     "You mean-"
     "I  mean,  that  mound  has  been  growing and diminishing, diminishing and
growing, mixtures up and down, since Grant took Richmond and Sherman reached the
sea.  There's  Civil dirt there, coffin splinters, satin casket shreds from when
Lafayette  met  the  Honor  Guard's  Edgar  Allan  Poe. There's funeral flowers,
blossoms  from  ten  hundred  obsequies.  Condolence-card  confetti  for Hessian
troopers,  Parisian  gunners  who never shipped home. That soil is so laced with
bone  meal  and  casket  corsages,  I should charge _you_ to buy the lot. Grab a
spade before I _do."_
     "Stay right _there."_ The young man raised one hand.
     "I'm not going anywhere," said the old man. "Nor is anyone else nearby."
     The  half-truck  was  pulled  up  by  the  dirt mound and the young man was
reaching in for a spade when the old man said:
     "No, I think not."
     The old man went on:
     "Graveyard  spade's  best. Familiar metal, familiar soil. Easy digging when
like takes to like. So."
     The  old  man's  head  indicated  a spade half stuck in the dark mound. The
young man shrugged and moved.
     The  cemetery  spade  came  free with a soft whispering. Pellets of ancient
mound fell with similar whispers.
     He  began  to  dig and shift and fill the back of his half-truck as the old
man from the corners of his eyes observed:
     "It's  more  than  dirt,  as  I said. War of 1812, San Juan Hill, Manassas,
Gettysburg, October flu epidemic 1918, all strewn from graves filled and evicted
to  be  refilled. Various occupants leavened out to dust, various glories melted
to  mixtures,  rust  from metal caskets, coffin handles, shoelaces but no shoes,
hairs long and short. Ever see wreaths made of hair saved to weave crowns to fix
on mortal pictures? All that's left of a smile or that funny look in the eyes of
someone  who  knows she's not alive anymore, ever. Hair, epaulettes, not _whole_
ones,  but  one  strand  of epaulette, all there along with blood that's gone to
silt."
     The  young  man finished, sweating, and started to thrust the spade back in
the earth when the old man said:
     "Take it. Cemetery dirt, cemetery spade, like takes to like."
     "I'll  bring  it  back  tomorrow."  The young man tossed the spade into the
mounded truck.
     "No.  You  got  the dirt, so keep the spade. Just don't bring the free dirt
_back."_
     "Why would I do _that?"_
     "Just  don't,"  said the old man, but did not move as the young man climbed
in his truck to start the engine.
     He sat listening to the dirt mound tremble and whisper in the flatbed.
     "What're you waiting for?" asked the old man.

    
    
     * * *

    
    
     The  flimsy  half-truck ran toward the last of the twilight, pursued by the
ever-encroaching  dark.  Clouds raced overhead, perturbed by the invisible. Back
on  the  horizon,  thunder  sounded. A few drops of rain fell on the windshield,
causing the young man to ram his foot on the gas and swerve into his home street
even as the sun truly died, the wind rose, and the trees around his cottage bent
and beckoned.
     Climbing  out,  he  stared at the sky and then his house and then the empty
garden.  A  few  drops  of  cold  rain  on  his cheeks decided him; he drove the
rattling half-truck into the empty garden, unlatched the metal back-flap, opened
it  just  an inch so as to allow a proper flow, and then began motoring back and
forth  across  the  garden,  letting  the  dark stuffs whisper down, letting the
strange midnight earth sift and murmur, until at last the truck was empty and he
stood in the blowing night, watching the wind stir the black soil.
     Then he locked the truck in the garage and went to stand on the back porch,
thinking, I won't need water. The storm will soak the ground.
     He  stood  for  a long while simply staring at the graveyard mulch, waiting
for rain, until he thought, what am I waiting for? _Jesus!_ And went in.
     At  ten o'clock a light rain tapped on the windows and sifted over the dark
garden.  At  eleven  it  rained so steadily that the gutter drains swallowed and
rattled.
     At midnight the rain grew heavy. He looked to see if it was eroding the new
dark  earth but saw only the black muck drinking the downpour like a great black
sponge, lit by distant flares of lightning.
     Then,  at  one  in  the  morning, the greatest Niagara of all shuddered the
house, rinsed the windows to blindness, and shook the lights.
     And  then,  abruptly, the downpour, the immense Niagara ceased, followed by
one  great  downfell  blow of lightning which plowed and pinioned the dark earth
close  by, near, outside, with explosions of light as if ten thousand flashbulbs
had  been  fired  off.  Then  darkness  fell  in  curtains of thunder, cracking,
breaking the bones.
     In  bed,  wishing  for  the  merest  dog to hold for lack of human company,
hugging  the  sheets,  burying his head, then rising full to the silent air, the
dark  air,  the storm gone, the rain shut, and a silence that spread in whispers
as the last drench melted into the trembling soil.
     He  shuddered  and  then  shivered  and  then  hugged  himself  to stop the
shivering  of his cold flesh, and he was thirsty but could not make himself move
to find the kitchen and drink water, milk, leftover wine, anything. He lay back,
dry-mouthed, with unreasonable tears filling his eyes.
     Free dirt, he thought. My God, what a damn-fool night. _Free dirt!_
     At two o'clock he heard his wristwatch ticking softly.
     At  two-thirty he felt his pulse in his wrists and ankles and neck and then
in his temples and inside his head.
     The entire house leaned into the wind, _listening._
     Outside  in  the  still  night, the wind failed and the yard lay soaked and
waiting.
     And  at  last  ... _yes._ He opened his eyes and turned his head toward the
shaded window.
     He held his breath. what? Yes? Yes? What?
     Beyond  the window, beyond the wall, beyond the house, outside somewhere, a
whisper,  a  murmur, growing louder and louder. Grass growing? Blossoms opening?
Soil shifting, crumbling?
     A  great  whisper, a mix of shadows and shades. Something rising. Something
moving.
     Ice froze beneath his skin. His heart ceased.
     Outside in the dark, in the yard.
     Autumn had arrived.
     October was there.
     His garden gave him ...
     A harvest