Ray Bradbury. Hail and Farewell

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                Ray Bradbury
                http://blogs.myspace.com/mysteryal

                Hail and Farewell
                1953

     But of course he was going away, there was nothing else to do, the time was
up,  the  clock had run out, and he was going very far away indeed. His suitcase
was packed, his shoes were shined, his hair was brushed, he had expressly washed
behind  his  ears,  and  it remained only for him to go down the stairs, out the
front  door,  and  up the street to the small-town station where the train would
make a stop for him alone. Then Fox Hill, Illinois, would be left far off in his
past.  And  he  would go on, perhaps to Iowa, perhaps to Kansas, perhaps even to
California;  a small boy twelve years old with a birth certificate in his valise
to show he had been born forty-three years ago.
     'Willie!' called a voice downstairs.
     'Yes!'  He hoisted his suitcase. In his bureau mirror he saw a face made of
June  dandelions and July apples and warm summer-morning milk. There, as always,
was  his  look of the angel and the innocent, which might never, in the years of
his life, change.
     'Almost time,' called the woman's voice.
     'All  right!'  And  he  went  down the stairs, grunting and smiling. In the
living-room sat Anna and Steve, their clothes painfully neat.
     'Here I am!' cried Willie in the parlor door.
     Anna  looked like she was going to cry. 'Oh, good Lord, you can't really be
leaving us, can you, Willie?'
     'People  are  beginning to talk,' said Willie quietly. I've been here three
years  now.  But  when people begin to talk, I know it's time to put on my shoes
and buy a railway ticket.'
     'It's  all  so  strange.  I  don't  understand. It's so sudden,' Anna said.
'Willie, we'll miss you.
     'I'll write you every Christmas, so help me. Don't you write me.'
     ‘It’s  been  a great pleasure and satisfaction,’ said Steve, sitting there,
his  words  the  wrong  size in his mouth. ‘It’s a shame’ it had to stop. It’s a
shame you had to tell us about yourself. It’s an awful shame you can’t stay on.’
     ‘You’re  the  nicest  folks I ever had,’ said Willie, four feet high, in no
need of a shave, the sunlight on his face.
     And  then  Anna _did_ cry. ‘Willie, Willie.’ And she sat down and looked as
if she wanted to hold him but was afraid to hold him now; she looked at him with
shock and amazement and her hands empty, not knowing what to do with him now.
     ‘It’s  not  easy  to go,’ said Willie. ‘You get used to things. You want to
stay.  But  it  doesn’t  work.  I  tried  to  stay on once after people began to
suspect.  "Flow  horrible!”  people  said.  "All  these  years, playing with our
innocent  children,”  they  said,  "and  us not guessing! Awful!” they said. And
finally  I had to just leave town one night. It’s not easy. You know darned well
how much I love both of you. Thanks for three swell years.’
     They all went to the front door. ‘Willie, where’re you going?’
     ‘I  don’t  know. I just start traveling. When I see a town that looks green
and nice, I settle in.’
     ‘Will you ever come back?’
     ‘Yes,’  he  said  earnestly  with his high voice. ‘In about twenty years it
should begin to show in my face. When it does, I’m going to make a grand tour of
all the mothers and fathers I’ve ever had.’
     They stood on the cool summer porch, reluctant to say the last words.
     Steve  was  looking  steadily  at an elm tree. ‘How many other folks’ve you
stayed with, Willie? How many adoptions?’
     Willie  figured  it,  pleasantly enough. ‘I guess it’s about five towns and
five couples and over twenty years gone by since I started my tour.’
     ‘Well,  we  can’t  holler,’  said Steve. ‘Better to’ve had a son thirty-six
months than none whatever.’
     ‘Well,’  said  Willie,  and kissed Anna quickly, seized at his luggage, and
was  gone  up  the street in the green noon light, under the trees, a very young
boy indeed, not looking back, running steadily.
     he The  boys  were  playing  on  the green park diamond when came by. He
stood  a  little while among the oak-tree shadows, watching them hurl the white,
snowy baseball into the warm summer air, saw the baseball shadow fly like a dark
bird over the grass, saw their hands open in mouths to catch this swift piece of
summer that now seemed most especially important to hold on to. The boys’ voices
yelled. The ball lit on the grass near Willie.
     Carrying the ball toward from under the shade trees, he thought of the last
three  years  now  spent to the penny, and the five years before that, and so on
down  the line to the year when he was really eleven and twelve and fourteen and
the  voices saying: ‘What’s wrong with Willie, missus?’ ‘Mrs. B., is Willie late
a-growing?’ ‘Willie, you smokin’ cigars lately?’ The echoes died in summer light
and  color.  His  mother’s  voice:  ~Willie’s  twenty-one today!’ And a thousand
voices saying: ‘Come back, son, when you’re fifteen; _then _maybe we’ll give you
a job.’
     l-le  stared at the baseball in his trembling hand, as if it were his life,
an  interminable  ball  of years strung around and around and around, but always
leading  back  to his twelfth birthday. He heard the kids walking toward him; he
felt them blot out the sun, and they were older, standing around him.
     ‘Willie! Where you goin’?’ They kicked his suitcase.
     How  tall  they  stood in the sun. In the last few months it seemed the sun
had  passed  a  hand above their heads, and they were golden toffee pulled by an
immense  gravity  to  the  sky,  thirteen, fourteen years old, looking down upon
Willie,  smiling,  but  already  beginning  to  neglect him. It had started four
months ago:
     ~Choose up sides! Who wants Willie?’
     ‘Aw, Willie’s too little; we don’t play with "kids”.’
     And  they raced ahead of him, drawn by the moon and the sun and the turning
seasons of leaf and wind, and lie was twelve years old and not of them any more.
And  the  other  voices beginning again on the old, the dreadfully familiar, the
cool refrain: ‘Better feed that boy vitamins, Steve.’ ‘Anna, does shortness _run
_in  your  family?’  And  the cold fist knocking at your heart again and knowing
that  the  roots  would have to be pulled up again after so many good years with
the "folks”.
     ‘Willie, where you goin’?’
     He  jerked  his  head.  He  was back among the towering, shadowing boys who
milled around him like giants at a drinking fountain bending down.
     ‘Goin’ a few days visitin’ a cousin of mine.’
     ‘Oh.’  There  was  a  day, a year ago, when they would have cared very much
indeed. But now there was only curiosity for his luggage, their enchantment with
trains and trips and far places.
     ‘How about a game?’ said Willie.
     They  looked  doubtful,  but,  considering  the  circumstances, nodded. lie
dropped his bag and ran out; the white baseball was up in the sun, away to their
burning  white  figures  in  the  far meadow, up in the sun again, rushing, life
coming  and going in a pattern. Here, _there! _Mr. and Mrs. Robert Hanlon, Creek
Bend,  Wisconsin,  1932,  the first couple, the first year! Here, _there! _Henry
and  Alice  Boltz,  Limeville,  Iowa, 1935! The baseball flying. The Smiths, the
Eatons,  the  Robinsons! 1939! 1945! Husband and wife, husband and wife, husband
and wife, no children, no children! A knock on this door, a knock on that.
     Pardon me. My name is William. I wonder if —‘A sandwich? Come in, sit down.
Where you from, son?’
     The  sandwich,  a  tall  glass  of cold milk, the smiling, the nodding, the
comfort able, leisurely talking.
     ‘Son, you look like you been traveling. You run off from somewhere?’
     ‘No.’
     ‘Boy, are you an orphan?’
     Another glass of milk.
     ‘We  always  wanted kids. It never worked out. Never knew why. One of those
things.  Well,  well. ft’s getting late, son. Don’t you think you better hit for
home?’
     ‘Got no home.’
     ‘A boy like you? Not dry behind the ears? Your mother’ll be worried.’
     ‘Got  no borne and no folks anywhere in the world. I wonder if — I wonder —
could I sleep here tonight?’
     ‘Well,  now, son, I don’t just know. We never considered taking in — ‘ said
the husband.
     ‘We  got  chicken  for  supper tonight,’ said the wife, ‘enough for extras,
enough for company...’
     And  the  years turning and flying away, the voices, and the faces, and the
people, and always the same first conversations. The voice of Emily Robinson, in
her  rocking  chair, in summernight darkness, the last night he stayed with her,
the night she discovered his secret, her voice saying:
     ‘I look at all the little children’s faces going by. And I sometimes think.
What  a  shame,  what  a shame, that all these flowers have to be cut, all these
bright  fires  have  to  be put out. What a shame these, all of these you see in
schools  or running by, have to get tall and unsightly and wrinkle and turn gray
or get bald, and finally, all bone and wheeze, be dead and buried off away. When
I  hear  them laugh I can’t believe they’ll ever go the road I’m going. Yet here
they _come! _I still remember Wordsworth’s poem:
     ‘When  all  at  once  I saw a crowd, A host of golden daffodils; Beside the
lake,  beneath  the  trees,  Fluttering and dancing in the breeze.’ That’s how I
think  of children, cruel as they sometimes are, mean as I know they can be, but
not yet showing the meanness around their eyes or in their eyes, not yet full of
tiredness.  They’re  so eager for everything! I guess that’s what I miss most in
older  folks,  the  eagerness gone nine times out of ten, the freshness gone, so
much  of  the drive and life down the drain. I like to watch school let out each
day.  It’s  like someone threw a bunch of flowers out of the school front doors.
How  does  it feel, Willie? How does it feel to be young forever? To look like a
silver dime new from the mint? Are you happy? Are you as fine as you _seem?_’

    
     The  baseball  whizzed  from the blue sky, stung his hand like a great pale
insect. Nursing it, he hears his memory say:
     ‘1  worked  with  what I had. After my folks died, after I found I couldn’t
get  man’s  work anywhere, I tried carnivals, but they only laughed. "Son,” they
said,  "you’re not a midget, and even if you are, you look like a _boy! _We want
midgets  with  midgets’  laces!  Sorry, son, sorry. So I left home, started out,
thinking: What was I? A boy. I looked like a boy, sounded like a boy, so I might
as  well goon being a boy. No use lighting it. No use screaming. So what could I
do?  What job was handy? And then one day I saw this man in a restaurant looking
at  another  man’s  pictures  of  his children. "Sure wish I had kids,” he said.
"Sure  wish  I  had  kids.’ He kept shaking his head. And me sitting a few seats
away  from  him,  a  hamburger in my hands. I sat there, _frozen;’ _At that very
instant  I  knew  what  my  job would be for all the rest of my life. There _was
_work  for  me,  after  all.  Making  lonely  people happy. Keeping myself busy.
Playing  forever.  I knew I had to play forever. Deliver a few papers, run a few
errands,  mow  a  few  lawns, maybe. But hard work? No. All I had to do was be a
mother’s son and a father’s pride. I turned to the man down the counter from me.
"I beg your pardon,” I said. I _smiled _at him . .
     ‘But, Willie,’ said Mrs Emily long ago, ‘didn’t you ever get lonely? Didn’t
you ever want — _things _— that grown-ups wanted?’
     I fought that out alone,’ said Willie. ‘I’m a boy, I told myself, I’ll have
to  live  in  a  boys’ world, read boys’ books, play boys’ games, cut myself off
from  everything  else. I can’t be both. I got to be only one thing — young. And
so  I  played  that  way.  Oh,  it wasn’t easy. There were times —He lapsed into
silence.
     ‘And the family you lived with, they never knew?’
     ‘No.  Telling  them  would  have  spoiled  everything.  I told them I was a
runaway;  I  let  them cheek through official channels, police. Then, when there
was  no  record,  let  them put in to adopt me. That was best of all; as long as
they never guessed. But then, after three years, or five years, they guessed, or
a  traveling  man  came  through,  or a carnival man saw me, and it was over. It
always had to end.’
     ‘And you’re very happy and it’s nice being a child for over forty years?’
     ‘It’s  a  living,  as  they say; and when you make other people happy, then
you’re almost happy too. I got my job to do and I do it.’
     He  threw  the  baseball  one  last time and broke the reverie. Then he was
running  to seize his luggage. Tom, Bill, Jamie, Bob, Sam — their names moved on
his lips. They were embarrassed at his shaking hands.
     ‘After all, Willie, it ain’t as if you’re going to China or Timbuktu. ‘~
     ‘That’s right, isn’t it?’ Willie did not move.
     ‘So long, Willie. See you next week!’
     ‘So long, so long!’
     And he was walking off with his suitcase again, looking at the trees, going
away  from  the  boys  and  the  street where he had lived, and as he turned the
corner a train whistle screamed, and he began to run.
     In  the  early morning, with the smell of the mist and the cold metal, with
the  iron smell of the train around him and a ill night of traveling shaking his
bones  and  his  body,  and  a smell of the sun beyond the horizon, he awoke and
looked  out  upon  a  small town just arising from sleep. Lights were coming on,
soft  voices muttered, a red signal bobbed back and forth, back and forth in the
cold air. A porter moved by, shadow in shadows.
     ‘Sir,’ said Willie.
     The porter stopped.
     ‘What town’s this?’ whispered the boy in the dark.
     ‘Valleyville.’
     ‘How many people?’
     ‘Ten thousand. Why? This your stop?’
     ‘It  looks  green.’  Willie  gazed  out at the cold morning town for a long
time. ‘It looks nice and quiet,’ said Willie.
     ‘Son,’ said the porter, ‘you know where you _going?_’
     ‘Here,’  said  Willie, and got up quietly in the still, cool, iron-smelling
morning, in the train dark, with a rustling arid stir.
     ‘I hope you know what you’re doing, boy,’ said the porter.
     ‘Yes,  sir,’ said Willie. ‘I know what I’m doing.’ And he was down the dark
aisle,  luggage  lifted  after  him  by  the  porter,  and  out  in the smoking,
steaming-cold,  beginning-to-lighten morning. He stood looking tip at the porter
arid  the  black  metal  train against the few remaining stars. The train gave a
great  wailing  blast  of whistle, the porters cried out all along the line, the
cars  jolted, and his special porter waved and smiled down at the boy there, the
small  boy there with the big luggage who shouted up to him, even as the whistle
screamed again.
     ‘What?’ shouted the porter, hand cupped to ear.
     ‘Wish me luck!’ cried ‘Millie.
     ‘Best  of  luck,  son,’  called the porter, waving, smiling. ‘Best of luck,
boy!’
     ‘Thanks,’  said  Willie,  in the great sound of the train, in the steam and
roar.
     He  watched  the  black  train until it was completely gone away and out of
sight.  He did not move all the time it was going. He stood quietly, a small boy
twelve  years  old,  on  the  worn  wooden platform, and only after three entire
minutes did he turn at last to face the empty streets below.
     Then,  as  the  sun  was  rising, he began to walk very fast, so as to keep
warm, down into the new town.